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To whose genius are they due? Doubtless it has received various stamps from the events that it has served; it has revealed different ideas in different places; but is it not still grander to consider it under the triple aspects of soul, body, and motion? The combination of letters, their shapes, and the look they give to the word, are the exact reflection, in accordance with the character of each nation, of the unknown beings whose memory survives in us. Erotic you use a feather, kinky you use the whole chicken? But is it not so with every word? In the way of all beings, they have but one place where their properties can fully act and develop. The syllable exudes an ineffable freshness. Then has it not left its traditional traces within our modern languages, which have all inherited some remnant of the primitive speech of nations, a majestic and solemn tongue whose majesty and solemnity decrease as communities grow old; whose sonorous tones ring in the Hebrew Bible, and still are noble in Greece, but grow weaker under the progress of our successive civilizations?

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Who would philosophically explain to us the transition from the sensation to a thought, from the thought to a word, from the word to its hieroglyphic expression, from the hieroglyphics to an alphabet, from the alphabet to written eloquence, whose beauty resides in a series of images classified by rhetoricians, and forming, as it were, the hieroglyphics of thought? It was not till that O. In the way of all beings, they have but one place where their properties can fully act and develop. I chose the formula of an abstract idea on purpose, not wishing to pose the problem with a word that should make it too easy to the apprehension, as the word FLIGHT for instance, which is a direct appeal to the senses. Like two marbles rolling around a pudding basin. To whose genius are they due? They are all stamped with a living power that comes from the soul, and which they restore thereto through the mysterious and wonderful action and reaction between thought and speech. Erotic you use a feather, kinky you use the whole chicken? But is it not so with every word? Doubtless it has received various stamps from the events that it has served; it has revealed different ideas in different places; but is it not still grander to consider it under the triple aspects of soul, body, and motion? But perhaps the subject comprises a science to itself! The syllable exudes an ineffable freshness. Starting from Greece, I would get to Rome, and traverse the extent of modern ages. Is there not a certain fantastic rectitude in the word TRUE? What a fine book might be written of the life and adventures of a word! Does not the compact brevity of its sound contain a vague image of chaste nudity, of the simplicity of truth in all things? Are not most words colored by the idea they represent externally? If it takes great intelligence to create a word, how old does it make human speech? Was it not the ancient mode of representing human ideas as embodied in the forms of animals that determined the shapes of the first signs that the Orient used for writing down its language? Is it to this time-honored spirit that we owe the mysteries lying buried in every human word? Thus, by their mere physiognomy, words call to life in our brain the beings whom they serve to clothe. One of them is always sex. In keeping with his observations, etymological creation continues in our days. Might we not speak of it as a lover who draws from the lips of his mistress as much love as he gives? Nous sommes et trop grands et trop petits! Much of the new vocabulary appears online long before it will make it into books. To regard it in the abstract, apart from its functions, its effects, and its actions, is it not a matter of falling into an ocean of reflections?

Anal sex in southern il


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2 Replies to “Anal sex in southern il”

  1. If it takes great intelligence to create a word, how old does it make human speech? Nous sommes et trop grands et trop petits!

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